Hasta que el dinero nos separe (2009) – Season 1 Episode 125:
It's said [Está dicho - Episode 125]


Trailer not available yet.

Watch Hasta que el dinero nos separe Season 1 Episode 125 (December 18, 2009) – "It's said [Está dicho - Episode 125]" online

Buy CD/DVD:

Secure Verified

Hasta que el dinero nos separe Season 1 Episode 125 (December 18, 2009) – "It's said [Está dicho - Episode 125]"

Hasta Que el Dinero Nos Separe is a telenovela produced by Emilio Larrosa. It is a remake of the Colombian soap opera Hasta Que la Plata Nos Separe. Hasta Que el Dinero Nos Separe stars Itatí Cantoral, Pedro Fernández, Victor Noriega, Luz Elena González and Joana Benedek. The telenovela made its debut on June 29, 2009 at 8 pm in Mexico's Canal de las Estrellas, in HD in some markets, and January 18, 2010 at 8/7 pm USA's Univision, starting on April 26, 2010, it aired from 8 pm est to 10 pm est in HD in some markets, until June 1, 2010, when Soy Tu Dueña premiered on Univision at 9pm, thus returning the novela back to its former one hour airing time. On February 16, 2010 Hasta Que El dinero nos separe premiered on internet TV's bsn Latino.

"The Best Telenovela of the Year 2010."

Episode 125 of Hasta que el dinero nos separe Season 1, titled "It's said [Está dicho - Episode 125]", which premiered on December 18, 2009, delivers a thoughtfully crafted installment that delves deeper into character development, narrative complexity, and thematic resonance. This episode skillfully balances plot progression with emotional insight, allowing viewers to witness both the internal and external challenges faced by the central figures. Through deliberate storytelling choices, it exemplifies the series’ commitment to intelligent, immersive, and compelling serialized drama.

The opening sequences immediately establish tone and atmosphere, drawing audiences into the episode’s unique emotional landscape. Cinematic techniques, including careful framing, nuanced lighting, and deliberate pacing, enhance the storytelling while highlighting key character moments. Subtle performances by the cast convey layered emotions, revealing personal struggles, internal conflicts, and motivations that underpin each decision. The introduction sets up narrative tension without relying on overt exposition, demonstrating a mature and refined approach to storytelling.

As the story progresses, new challenges test relationships, alliances, and individual beliefs. Characters confront moral dilemmas that force them to reassess priorities, question loyalties, and confront personal weaknesses. The episode’s structure allows each scene to breathe, giving audiences time to absorb both the visual cues and the underlying emotional context. Themes such as trust, accountability, resilience, and personal growth are interwoven seamlessly with plot development, ensuring that character-driven moments resonate as much as the overarching story. Even in moments of high tension, the writing maintains accessibility, allowing viewers to engage without losing sight of the narrative’s emotional stakes.

Midway through the episode, the narrative tension escalates through conflict, revelation, and intrigue. Carefully constructed sequences create suspense while emphasizing character agency. Dialogues and interactions are charged with significance, often revealing hidden aspects of relationships or foreshadowing future developments. Visual storytelling, from subtle gestures to carefully orchestrated camera angles, reinforces the emotional weight of pivotal moments. The creative team demonstrates a keen understanding of narrative rhythm, balancing moments of quiet reflection with scenes of heightened drama, ensuring that the audience remains both engaged and emotionally invested.

Toward the climax, the episode delivers revelations that reshape prior assumptions and add depth to the ongoing arc. Plot twists are grounded in established character behavior, making them feel earned rather than contrived. The resolution of conflicts within the episode emphasizes emotional truth over spectacle, allowing viewers to appreciate the consequences of each character’s choices. By focusing on authentic character responses and meaningful outcomes, the episode achieves both suspense and satisfaction. Every narrative thread introduced contributes to the larger story universe, reinforcing continuity and thematic cohesion throughout the season.

From a technical perspective, the episode exemplifies excellence in production design, cinematography, and sound. The visual palette conveys mood, subtext, and thematic resonance, while the score subtly accentuates key emotional beats. Directional choices, including the use of silence, pacing, and framing, serve to underscore narrative priorities and heighten engagement. The episode’s careful attention to visual storytelling ensures that each scene is purposeful, whether depicting moments of tension, intimacy, or revelation. These production elements, combined with nuanced performances and precise writing, elevate the episode to a level that rewards attentive viewing.

Character arcs remain central to the episode’s success. Protagonists are confronted with situations that challenge assumptions, reveal vulnerabilities, and provide opportunities for growth. Supporting characters are given substantive roles, adding texture, depth, and unpredictability to the story. The interplay between ensemble members highlights complex relationships, power dynamics, and emotional stakes. Viewers witness how individual decisions ripple through the narrative, affecting broader plotlines and themes. This careful layering of character-driven content reinforces the series’ reputation for sophisticated storytelling and makes each episode feel both self-contained and integrally connected to the larger narrative arc.

For fans and newcomers alike, Episode 125 serves as a microcosm of the series’ larger narrative ambitions. It combines intelligent plotting, emotional resonance, and technical artistry, providing an engaging, multi-dimensional viewing experience. Whether observing moments of quiet introspection or dramatic confrontations, audiences are encouraged to reflect on the thematic undercurrents and character motivations at play. The episode exemplifies the series’ ability to marry accessibility with narrative sophistication, maintaining entertainment value while fostering deeper appreciation for its craft.

In conclusion, Hasta que el dinero nos separe Season 1 Episode 125, “It's said [Está dicho - Episode 125],” stands as a compelling example of contemporary serialized storytelling. With its intricate narrative structure, rich character development, and aesthetic precision, the episode reinforces the series’ identity as a benchmark in modern television. It demonstrates the power of deliberate, thoughtful storytelling to captivate, challenge, and inspire audiences, leaving a lasting impression that encourages continued engagement and discussion. For those following the series, this episode not only advances the overarching plot but also enriches the emotional and thematic texture of the show, offering an experience that is both memorable and meaningful.

Hasta que el dinero nos separe Season 1 Episode 125 - It's said [Está dicho - Episode 125] (2009)
0.0/10 from 0 votes
Title Hasta que el dinero nos separe
Genre Soap, Drama, Comedy
Air Date2009-12-18
Season1
Episode125
Overview Hasta Que el Dinero Nos Separe is a telenovela produced by Emilio Larrosa. It is a remake of the Colombian soap opera Hasta Que la Plata Nos Separe. Hasta Que el Dinero Nos Separe stars Itatí Cantoral, Pedro Fernández, Victor Noriega, Luz Elena González and Joana Benedek. The telenovela made its debut on June 29, 2009 at 8 pm in Mexico's Canal de las Estrellas, in HD in some markets, and January 18, 2010 at 8/7 pm USA's Univision, starting on April 26, 2010, it aired from 8 pm est to 10 pm est in HD in some markets, until June 1, 2010, when Soy Tu Dueña premiered on Univision at 9pm, thus returning the novela back to its former one hour airing time. On February 16, 2010 Hasta Que El dinero nos separe premiered on internet TV's bsn Latino.

"The Best Telenovela of the Year 2010."
Stars
  • Lalo (Vicente Chávez Méndez)
  • Claudia Troyo (Susana Hadad)
  • Alberto Loztin (Efraín Zetina)
  • Pedro Fernández (Rafael Medina)
  • Itatí Cantoral (Alejandra Álvarez del Castillo)
  • Víctor Noriega (Marco Valenzuela)
  • Luz Elena González (Victoria "Vicky" de la Parra)
  • Carlos Cámara (Lic. Francisco Beltrán)
  • Sergio Corona (Don Jorge Álvarez del Castillo)
  • Rodrigo Vidal (Jaime del Rincón)
  • Sergio DeFassio (Ismael Dueñas)
  • Harry Geithner (Edgar Marino)
  • Carlos Bonavides (Ramiro Jiménez)
  • Joana Benedek (Marian Celeste)
  • Fabiola Campomanes (Lola Sansores)
  • Frances Ondiviela (Rosaura Suárez de la Grana)
  • Diana Golden (Isabel Duarte)
  • Carlos Ignacio (Germán Ramírez Betancourt)
  • Erika García (Julieta Medina)
  • Malillany Marín (Claudia Bermudez)
  • Héctor Sandarti (Nelson Jóse Ospina)
  • Ana Bekoa (Rubi)
  • Ferdinando Valencia (el Rizos)
  • Agustín Arana (Daniel Zepeda de los Monteros)
  • Gaby Ramirez (Ovidia)
  • Pedro Weber 'Chatanuga' (Don Gastón de la Parra)
  • Norma Lazareno (Rosario Álvarez del Castillo)
  • Leticia Perdigón (Doña Leonor Núñez de Medina)
  • Carmen Salinas (Arcadia Alcalá Vda. del Rincón)
  • Elizabeth Aguilar (Doña Dolores Sansores)
  • Jorge Ortiz de Pinedo (Don Rafael Santillan Medina)


10943 Online Now