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Dark Night, October 17, 1961 (2005)


Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

Dark Night, October 17, 1961 (2005) presents a multi-faceted story that transcends genre, delivering powerful characters, emotional depth, and a narrative that stays with you.

Visually, the film is a marvel — every shot meticulously framed to enhance emotion and tone. The cinematography captures the story’s essence, whether through sweeping panoramas or intimate moments. Direction is assured, guiding the audience through the narrative with confident pacing and clear vision. Music and sound design underscore key scenes, elevating tension and enhancing immersion. Every creative element works in unison to produce a memorable and polished experience.

Dark Night, October 17, 1961 (2005) provides more than just entertainment — it delivers resonance. Audiences are drawn into its emotional undercurrents, finding moments of joy, sorrow, and revelation. The storytelling offers layers that reward thoughtful viewing, blending accessible thrills with deeper meaning. From quiet introspections to intense confrontations, it maintains an emotional rhythm that captivates. It’s the kind of film that lingers in memory, inspiring discussion and introspection long after the credits roll.

In the end, Dark Night, October 17, 1961 (2005) stands as a shining example of cinematic craft — a harmonious blend of narrative, performance, and technical achievement. It delivers a satisfying arc, fully realizing the potential of its story and characters. Whether you're a loyal follower of TV Movie, Drama, History or a curious newcomer, this film offers something truly special. It speaks to the power of film as art, storytelling, and shared experience. Few titles manage to resonate so deeply across so many levels — this is one of them.

Dark Night, October 17, 1961 (2005)
7.3/10 from 10 users
Title Dark Night, October 17, 1961 (2005)
Genre TV Movie, Drama, History
Release 2005-06-07
Runtime 120 min.
Cast Ouassini Embarek, Atmen Kelif, Abdelhafid Metalsi, Hocine Choutri, Mounir Margoum, Ahcène Nini, Jalil Naciri, Salem Kali, Reda Samoudi, Djemel Barek, Tayeb Belmihoub, Adel Bencherif, Clotilde Courau, Jean-Michel Portal, Florence Thomassin, Vahina Giocante, Philippe Bas, Aurélien Recoing, Serge Riaboukine, Marie Denarnaud, Frank Berjot, Thierry Fortineau, Lyèce Boukhitine, Jean-Michel Fête, Matthias Van Khache, Michel Trillot, Michel Scotto di Carlo, Alain Rimoux, Luc Palun, Grégoire Oestermann, Nicolas Jouhet, Stefan Elbaum, Guillaume Cramoisan, Pierre-Alain Chapuis, Antoine Chain, Alexandre Carrière, Loïc Brabant, Bruno Abraham-Kremer, Patrick Bonnel, Christophe Kourotchkine, Jérôme Le Paulmier, Julien Lucas, Stéphan Wojtowicz, Djamel Afnai, Marie-Charlotte Salmon
Synopsis Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.
Subtitles
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