Too Much Johnson (1938) – Expert Review | Official Watch Links
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Too Much Johnson (1938) Synopsis, Cast, Reviews & Watch Links
Movie Stats
Too Much Johnson
- Release Date: 1938-08-16
- Genres: Comedy
- Rating: 5.269 (26 votes)
- Runtime: 66 min
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Subtitles:
English, Spanish, Italian, Mandarin, French, Danish, Dutch
Review & Score: Too Much Johnson
StreamValid Editorial Review
This film was not intended to stand by itself, but was designed as the cinematic aspect of Welles' Mercury Theatre stage presentation of William Gillette's 1894 comedy about a New York playboy who flees from the violent husband of his mistress and borrows the identity of a plantation owner in Cuba who is expecting the arrival of a mail order bride. (Auto Summary)
✅ Pros — 2
- Positive audience reception.
- Solid storyline execution.
✖ Cons — 1
- —
- Neutral point not specified.
- Detailed critic review not available yet.
Synopsis
This film was not intended to stand by itself, but was designed as the cinematic aspect of Welles' Mercury Theatre stage presentation of William Gillette's 1894 comedy about a New York playboy who flees from the violent husband of his mistress and borrows the identity of a plantation owner in Cuba who is expecting the arrival of a mail order bride. The film component of the performance was ultimately never screened due to the absence of projection facilities at the venue. Long-believed to be lost, a workprint was discovered in 2008 and the film had its premiere in 2013. Released on August 16, 1938, this film incorporates the essence of , captivating audiences worldwide. With a rating of 5.3/10 from 26 viewers, it's recognized as one of the year's cinematic highlights. From its opening moments, the film establishes a unique atmosphere that sets the tone for what's to come. Whether you're drawn by visual spectacle or thematic depth, this story offers a rewarding experience.
Too Much Johnson offers a brilliant blend of wit and timing, where every scene brims with laughter and levity. The humor ranges from clever dialogue to situational absurdity, making it a crowd-pleaser for those seeking a lighthearted escape.
Visually, the film is a marvel — every shot meticulously framed to enhance emotion and tone. The cinematography captures the story’s essence, whether through sweeping panoramas or intimate moments. Direction is assured, guiding the audience through the narrative with confident pacing and clear vision. Music and sound design underscore key scenes, elevating tension and enhancing immersion. Every creative element works in unison to produce a memorable and polished experience.
Too Much Johnson provides more than just entertainment — it delivers resonance. Audiences are drawn into its emotional undercurrents, finding moments of joy, sorrow, and revelation. The storytelling offers layers that reward thoughtful viewing, blending accessible thrills with deeper meaning. From quiet introspections to intense confrontations, it maintains an emotional rhythm that captivates. It’s the kind of film that lingers in memory, inspiring discussion and introspection long after the credits roll.
In the end, Too Much Johnson stands as a shining example of cinematic craft — a harmonious blend of narrative, performance, and technical achievement. It delivers a satisfying arc, fully realizing the potential of its story and characters. Whether you're a loyal follower of or a curious newcomer, this film offers something truly special. It speaks to the power of film as art, storytelling, and shared experience. Few titles manage to resonate so deeply across so many levels — this is one of them.
If you're interested in more great comedy films, you might also enjoy: The Grand Budapest Hotel, Superbad, Jojo Rabbit, The Hangover, Bridesmaids.
Cast & Characters
- Joseph Cotten as Augustus Billings
- Virginia Nicolson as Lenore Faddish
- Arlene Francis as Mrs. Dathis
- Mary Wickes as Mrs. Battison
- Orson Welles as Keystone Kop
- John Houseman as Duelist
- Judy Holliday as (uncredited)
- Edgar Barrier as Leon Dathis
- Ruth Ford as Mrs. Billings
- Eustace Wyatt as Francis Faddish
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