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In the Name of God (1925)


Religiously themed early Soviet propaganda film in Azerbaijan against Islam. Unlike earlier propaganda films in the region, this was actually made by an (nearly) all Azeri cast and crew and directed by an Azeri filmmaker that would go on to be famous amongst his own people, despite his early collusion with the new ruling government. At the center of the film is a greed Molla (holy man in Azeri Islam) who has been cheating one of the local peasants for years out of all types of goods and services, and then delighting over his success in an very un-religious, specifically un-Islamic, way. Once the Revolution takes place and the Bolsheviks arrive, the peasant is empowered and realizes the deception on the part of the Molla and takes him to the newly set up "People's Court," where is finds justice and the Molla is punished.

In the Name of God (1925) presents an emotional and introspective portrait of life, navigating complex relationships, personal failures, and redemptive arcs. It's a compelling meditation on resilience and the human spirit.

Visually, the film is a marvel — every shot meticulously framed to enhance emotion and tone. The cinematography captures the story’s essence, whether through sweeping panoramas or intimate moments. Direction is assured, guiding the audience through the narrative with confident pacing and clear vision. Music and sound design underscore key scenes, elevating tension and enhancing immersion. Every creative element works in unison to produce a memorable and polished experience.

In the Name of God (1925) provides more than just entertainment — it delivers resonance. Audiences are drawn into its emotional undercurrents, finding moments of joy, sorrow, and revelation. The storytelling offers layers that reward thoughtful viewing, blending accessible thrills with deeper meaning. From quiet introspections to intense confrontations, it maintains an emotional rhythm that captivates. It’s the kind of film that lingers in memory, inspiring discussion and introspection long after the credits roll.

In the end, In the Name of God (1925) stands as a shining example of cinematic craft — a harmonious blend of narrative, performance, and technical achievement. It delivers a satisfying arc, fully realizing the potential of its story and characters. Whether you're a loyal follower of Drama or a curious newcomer, this film offers something truly special. It speaks to the power of film as art, storytelling, and shared experience. Few titles manage to resonate so deeply across so many levels — this is one of them.

If you're interested in more great drama films, you might also enjoy: The Shawshank Redemption, Forrest Gump, Marriage Story, The Pursuit of Happyness, Whiplash.

In the Name of God (1925)
3.7/10 from 3 users
Title In the Name of God (1925)
Genre Drama
Release 1925-11-17
Runtime 57 min.
Cast Mirzaagha Aliyev, Mustafa Mardanov, Ibrahim Azeri, Mirseyfaddin Kirmanshahli, Kazim Ziya, Mohsun Sanani
Synopsis Religiously themed early Soviet propaganda film in Azerbaijan against Islam. Unlike earlier propaganda films in the region, this was actually made by an (nearly) all Azeri cast and crew and directed by an Azeri filmmaker that would go on to be famous amongst his own people, despite his early collusion with the new ruling government. At the center of the film is a greed Molla (holy man in Azeri Islam) who has been cheating one of the local peasants for years out of all types of goods and services, and then delighting over his success in an very un-religious, specifically un-Islamic, way. Once the Revolution takes place and the Bolsheviks arrive, the peasant is empowered and realizes the deception on the part of the Molla and takes him to the newly set up "People's Court," where is finds justice and the Molla is punished.
Subtitles
English Russian Azerbaijani



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