Ynang-Bayan: To be a Woman is to Live at a Time of War (1991) – Expert Review | Official Watch Links
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Ynang-Bayan: To be a Woman is to Live at a Time of War (1991) Synopsis, Cast, Reviews & Watch Links
Movie Stats
Ynang-Bayan: To be a Woman is to Live at a Time of War
- Release Date: 1991-11-05
- Genres: Documentary
- Rating: 0 (0 votes)
- Runtime: 36 min
-
Subtitles:
English
Review & Score: Ynang-Bayan: To be a Woman is to Live at a Time of War
StreamValid Editorial Review
A documentary film, which focuses on the subject of women’s movement in the Philippines. Myth and legend overlap with history and politics as the women’s struggle is laid to bear in the individual stories and achievements of those featured in the film. (Auto Summary)
✅ Pros — 2
- Strong acting performance.
- Good production quality.
✖ Cons — 1
- —
- Neutral point not specified.
- Detailed critic review not available yet.
Synopsis
A documentary film, which focuses on the subject of women’s movement in the Philippines. Myth and legend overlap with history and politics as the women’s struggle is laid to bear in the individual stories and achievements of those featured in the film. The fragmented mosaic of voices and scenes allow for a plurality of views and opinions to account for the multifaceted and complex nature of Filipinas. From poetry to dance, politics to poetry – women chart their own lives in the auspicious event of change happening with the ascent of a woman to the country’s pinnacle of power. Released on November 5, 1991, this film incorporates the essence of , captivating audiences worldwide. With a rating of N/A from 0 viewers, it's recognized as one of the year's cinematic highlights. From its opening moments, the film establishes a unique atmosphere that sets the tone for what's to come. Whether you're drawn by visual spectacle or thematic depth, this story offers a rewarding experience.
Ynang-Bayan: To be a Woman is to Live at a Time of War is a thoughtful exploration of truth, reality, and untold stories. Meticulously researched and presented with clarity, it sheds light on compelling topics that provoke thought and inspire change.
Visually, the film is a marvel — every shot meticulously framed to enhance emotion and tone. The cinematography captures the story’s essence, whether through sweeping panoramas or intimate moments. Direction is assured, guiding the audience through the narrative with confident pacing and clear vision. Music and sound design underscore key scenes, elevating tension and enhancing immersion. Every creative element works in unison to produce a memorable and polished experience.
Ynang-Bayan: To be a Woman is to Live at a Time of War provides more than just entertainment — it delivers resonance. Audiences are drawn into its emotional undercurrents, finding moments of joy, sorrow, and revelation. The storytelling offers layers that reward thoughtful viewing, blending accessible thrills with deeper meaning. From quiet introspections to intense confrontations, it maintains an emotional rhythm that captivates. It’s the kind of film that lingers in memory, inspiring discussion and introspection long after the credits roll.
In the end, Ynang-Bayan: To be a Woman is to Live at a Time of War stands as a shining example of cinematic craft — a harmonious blend of narrative, performance, and technical achievement. It delivers a satisfying arc, fully realizing the potential of its story and characters. Whether you're a loyal follower of or a curious newcomer, this film offers something truly special. It speaks to the power of film as art, storytelling, and shared experience. Few titles manage to resonate so deeply across so many levels — this is one of them.
If you're interested in more great documentary films, you might also enjoy: The Cove, Blackfish, 13th, Free Solo, My Octopus Teacher.
Cast & Characters
- Upeng Fernandez as Ynang Bayan
- Edna Vida as Itim Asu
- Sylvia Garde as Maria Makiling
- Sharon Cabusao as Self
- Julie Lluch as Self
- Ceres Doyo as Self
- Marra P.L. Lanot as Self
- Petite Pererdo as Self
- Remmy Rikkens as Self
Gallery
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