I Really Get Into It: The Underage Architects of Sioux Falls Punk (2020) – Expert Review | Official Watch Links


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I Really Get Into It: The Underage Architects of Sioux Falls Punk (2020) Synopsis, Cast, Reviews & Watch Links

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Movie Stats

I Really Get Into It: The Underage Architects of Sioux Falls Punk

I Really Get Into It: The Underage Architects of Sioux Falls Punk

HD
0/10
2020
  • Release Date: 2020-11-24
  • Genres: Documentary
  • Rating: 0 (0 votes)
  • Runtime: 80 min
  • Subtitles:
    English, Dutch

Review & Score: I Really Get Into It: The Underage Architects of Sioux Falls Punk

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Largely ignored and left to their own devices, a group of unassuming teenagers in late 80s and early 90s Sioux Falls, South Dakota created their own culture, community, and economy. And when they moved out into the world at large, they brought what they learned along with them. (Auto Summary)

✅ Pros — 2

  • Solid storyline execution.
  • Positive audience reception.

✖ Cons — 1

◼ Neutral / Mixed Notes — 2
  • Neutral point not specified.
  • Detailed critic review not available yet.

Synopsis

Largely ignored and left to their own devices, a group of unassuming teenagers in late 80s and early 90s Sioux Falls, South Dakota created their own culture, community, and economy. And when they moved out into the world at large, they brought what they learned along with them. I Really Get Into It: The Underage Architects of Sioux Falls Punk is a story about the tenacity and ingenuity of youth, finding and following your convictions, and how the kids you least expect often make the most noise. Shot on location in eight cities and assembled from dozens of hours of archival video and hundreds of photos, the documentary features interviews with Larry Livermore (Lookout. Records), Ian MacKaye (Fugazi), Mike Park (Skankin' Pickle), Rebecca Hanten (Cadillac Blindside), Terry Taylor (Hammerlord), and dozens of current and former members of the Sioux Falls all ages music scene.

I Really Get Into It: The Underage Architects of Sioux Falls Punk is a thoughtful exploration of truth, reality, and untold stories. Meticulously researched and presented with clarity, it sheds light on compelling topics that provoke thought and inspire change.

Visually, the film is a marvel — every shot meticulously framed to enhance emotion and tone. The cinematography captures the story’s essence, whether through sweeping panoramas or intimate moments. Direction is assured, guiding the audience through the narrative with confident pacing and clear vision. Music and sound design underscore key scenes, elevating tension and enhancing immersion. Every creative element works in unison to produce a memorable and polished experience.

I Really Get Into It: The Underage Architects of Sioux Falls Punk provides more than just entertainment — it delivers resonance. Audiences are drawn into its emotional undercurrents, finding moments of joy, sorrow, and revelation. The storytelling offers layers that reward thoughtful viewing, blending accessible thrills with deeper meaning. From quiet introspections to intense confrontations, it maintains an emotional rhythm that captivates. It’s the kind of film that lingers in memory, inspiring discussion and introspection long after the credits roll.

In the end, I Really Get Into It: The Underage Architects of Sioux Falls Punk stands as a shining example of cinematic craft — a harmonious blend of narrative, performance, and technical achievement. It delivers a satisfying arc, fully realizing the potential of its story and characters. Whether you're a loyal follower of or a curious newcomer, this film offers something truly special. It speaks to the power of film as art, storytelling, and shared experience. Few titles manage to resonate so deeply across so many levels — this is one of them.

If you're interested in more great documentary films, you might also enjoy: The Cove, Blackfish, 13th, Free Solo, My Octopus Teacher.

Cast & Characters

  • Ian MacKaye as self
  • Terry Taylor as self
  • Larry Livermore as self
  • Rebecca Hanten as self
  • Shawn Kock as self

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