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Kára plná bolesti (1986)


War takes its cruel toll, which everyone must pay. It hits a small Slovak village especially hard, where the struggle for a bare life becomes a test of human character. For two impoverished friends, Jakub and Maja, struggling through poverty is more than difficult. Jakub delivers sour milk from somewhere on his cart to the entire village and lives in a dilapidated house with his sister Tereza, whose caregiver and guide through life is the experienced woman Mara, who provides herself with money from seduced soldiers. Maja, on the other hand, is a foundling and homeless man who does whatever he can to survive the next day. The only consolation for the two inseparable friends are the circulating tales of a kind of promised land, where there is no poverty or hunger, and where they could both go. Only this vision, this idea alone keeps the two of them and the rest of the village on their feet, and gives them hope for a better tomorrow.

Kára plná bolesti (1986) presents an emotional and introspective portrait of life, navigating complex relationships, personal failures, and redemptive arcs. It's a compelling meditation on resilience and the human spirit.

Visually, the film is a marvel — every shot meticulously framed to enhance emotion and tone. The cinematography captures the story’s essence, whether through sweeping panoramas or intimate moments. Direction is assured, guiding the audience through the narrative with confident pacing and clear vision. Music and sound design underscore key scenes, elevating tension and enhancing immersion. Every creative element works in unison to produce a memorable and polished experience.

Kára plná bolesti (1986) provides more than just entertainment — it delivers resonance. Audiences are drawn into its emotional undercurrents, finding moments of joy, sorrow, and revelation. The storytelling offers layers that reward thoughtful viewing, blending accessible thrills with deeper meaning. From quiet introspections to intense confrontations, it maintains an emotional rhythm that captivates. It’s the kind of film that lingers in memory, inspiring discussion and introspection long after the credits roll.

In the end, Kára plná bolesti (1986) stands as a shining example of cinematic craft — a harmonious blend of narrative, performance, and technical achievement. It delivers a satisfying arc, fully realizing the potential of its story and characters. Whether you're a loyal follower of Drama or a curious newcomer, this film offers something truly special. It speaks to the power of film as art, storytelling, and shared experience. Few titles manage to resonate so deeply across so many levels — this is one of them.

If you're interested in more great drama films, you might also enjoy: The Shawshank Redemption, Forrest Gump, Marriage Story, The Pursuit of Happyness, Whiplash.

Kára plná bolesti (1986)
2.0/10 from 2 users
Title Kára plná bolesti (1986)
Genre Drama
Release 1986-02-01
Runtime 0 min.
Cast Marián Geišberg, Marián Zednikovič, Zdena Studenková, Eva Vejmělková, Vilma Jamnická, František Zvarík, Anton Šulík st., Peter Mišík, Vlado Černý, Imre Boráros, Eduard Vítek, Ľudovít Reiter, Slávka Budínová, Zdeněk Srstka, Franta Kocourek, Slavomír Záhradník, Hana Gregorová, Adolf Lachkovič, Emil Kosír, Mária Bálintová, Mátyás Dráfi, Jozef Husár, Lotár Radványi, Anton Januš, Ady Hajdu, Igor Krempaský, Roman Luknár, Richard Lachkovič, Peter Pilz, Karol Polák ml., Martin Šulík, Miroslav Trnavský
Synopsis War takes its cruel toll, which everyone must pay. It hits a small Slovak village especially hard, where the struggle for a bare life becomes a test of human character. For two impoverished friends, Jakub and Maja, struggling through poverty is more than difficult. Jakub delivers sour milk from somewhere on his cart to the entire village and lives in a dilapidated house with his sister Tereza, whose caregiver and guide through life is the experienced woman Mara, who provides herself with money from seduced soldiers. Maja, on the other hand, is a foundling and homeless man who does whatever he can to survive the next day. The only consolation for the two inseparable friends are the circulating tales of a kind of promised land, where there is no poverty or hunger, and where they could both go. Only this vision, this idea alone keeps the two of them and the rest of the village on their feet, and gives them hope for a better tomorrow.
Subtitles
Czech Slovak English



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