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Gigolo: A Docu-Drama (1982)


Kabukicho, Shinjuku, the number one entertainment district in Japan. There are professional gigolos who make this sleepless city their base and get what they want, from money and women to desire. They are the "gigolo" gang led by the charismatic Naoki Fushimi. Akira, Yuki, and Ryoma are aiming to become full-fledged gigolos. Akira has a girlfriend named Mariko who is a model for vinyl magazines. But that's not enough for a gigolo. For a gigolo, having sex for free is meaningless. Yuki finds a soapland girl named Misa, and Ryoma finds a woman named Yoko, and they spend a sensual night together. Meanwhile, Akira is taken by Mariko to help with a vinyl magazine shoot. Akira is getting increasingly impatient with his life, which can hardly be called gigolo...

Gigolo: A Docu-Drama (1982) presents an emotional and introspective portrait of life, navigating complex relationships, personal failures, and redemptive arcs. It's a compelling meditation on resilience and the human spirit.

Visually, the film is a marvel — every shot meticulously framed to enhance emotion and tone. The cinematography captures the story’s essence, whether through sweeping panoramas or intimate moments. Direction is assured, guiding the audience through the narrative with confident pacing and clear vision. Music and sound design underscore key scenes, elevating tension and enhancing immersion. Every creative element works in unison to produce a memorable and polished experience.

Gigolo: A Docu-Drama (1982) provides more than just entertainment — it delivers resonance. Audiences are drawn into its emotional undercurrents, finding moments of joy, sorrow, and revelation. The storytelling offers layers that reward thoughtful viewing, blending accessible thrills with deeper meaning. From quiet introspections to intense confrontations, it maintains an emotional rhythm that captivates. It’s the kind of film that lingers in memory, inspiring discussion and introspection long after the credits roll.

In the end, Gigolo: A Docu-Drama (1982) stands as a shining example of cinematic craft — a harmonious blend of narrative, performance, and technical achievement. It delivers a satisfying arc, fully realizing the potential of its story and characters. Whether you're a loyal follower of Drama, Comedy or a curious newcomer, this film offers something truly special. It speaks to the power of film as art, storytelling, and shared experience. Few titles manage to resonate so deeply across so many levels — this is one of them.

If you're interested in more great drama films, you might also enjoy: The Shawshank Redemption, Forrest Gump, Marriage Story, The Pursuit of Happyness, Whiplash.

Gigolo: A Docu-Drama (1982)
2.0/10 from 2 users
Title Gigolo: A Docu-Drama (1982)
Genre Drama, Comedy
Release 1982-10-15
Runtime 67 min.
Cast Ryōko Watanabe, Yōko Azusa, Naoki Fushimi, Hiromi Inoue, Hideki Isshiki, Nami Misaki, Shōgorō Nishimura, Kōyū Ohara, Masayoshi Takigawa, Makiko Tsunoda, Shusuke Kaneko, Hayato Tachibana, Michelle Hiroyuki, Masami Yuki, Yoko Mizusawa, Ryoma Mido
Synopsis Kabukicho, Shinjuku, the number one entertainment district in Japan. There are professional gigolos who make this sleepless city their base and get what they want, from money and women to desire. They are the "gigolo" gang led by the charismatic Naoki Fushimi. Akira, Yuki, and Ryoma are aiming to become full-fledged gigolos. Akira has a girlfriend named Mariko who is a model for vinyl magazines. But that's not enough for a gigolo. For a gigolo, having sex for free is meaningless. Yuki finds a soapland girl named Misa, and Ryoma finds a woman named Yoko, and they spend a sensual night together. Meanwhile, Akira is taken by Mariko to help with a vinyl magazine shoot. Akira is getting increasingly impatient with his life, which can hardly be called gigolo...
Subtitles
English Mandarin



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