T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s (2013) – Expert Review | Official Watch Links
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T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s (2013) Synopsis, Cast, Reviews & Watch Links
Movie Stats
T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s
- Release Date: 2013-01-27
- Genres: Music, Documentary
- Rating: 0 (0 votes)
- Runtime: 29 min
-
Subtitles:
English
Review & Score: T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s
StreamValid Editorial Review
The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. (Auto Summary)
✅ Pros — 2
- Strong acting performance.
- Good production quality.
✖ Cons — 1
- —
- Neutral point not specified.
- Detailed critic review not available yet.
Synopsis
The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.
T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s presents a multi-faceted story that transcends genre, delivering powerful characters, emotional depth, and a narrative that stays with you.
Visually, the film is a marvel — every shot meticulously framed to enhance emotion and tone. The cinematography captures the story’s essence, whether through sweeping panoramas or intimate moments. Direction is assured, guiding the audience through the narrative with confident pacing and clear vision. Music and sound design underscore key scenes, elevating tension and enhancing immersion. Every creative element works in unison to produce a memorable and polished experience.
T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s provides more than just entertainment — it delivers resonance. Audiences are drawn into its emotional undercurrents, finding moments of joy, sorrow, and revelation. The storytelling offers layers that reward thoughtful viewing, blending accessible thrills with deeper meaning. From quiet introspections to intense confrontations, it maintains an emotional rhythm that captivates. It’s the kind of film that lingers in memory, inspiring discussion and introspection long after the credits roll.
In the end, T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s stands as a shining example of cinematic craft — a harmonious blend of narrative, performance, and technical achievement. It delivers a satisfying arc, fully realizing the potential of its story and characters. Whether you're a loyal follower of or a curious newcomer, this film offers something truly special. It speaks to the power of film as art, storytelling, and shared experience. Few titles manage to resonate so deeply across so many levels — this is one of them.
Cast & Characters
- Jewelle Gomez as Narrator
- Chris Albertson as Himself
- Brian Keizer as Himself
- Linda Tillery as Herself
Gallery
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