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The Undertaker (1932)


An employee of the funeral home Pleticha calls his superior. He overhears that he is supposed to buy a wedding gift and deliver it to his boss's relatives. He therefore sets off to the given address to organize the funeral. When the mistake is explained, Pleticha, in return for the entertainment, performs dances and songs of various nations for the wedding guests. One of the guests, grandfather Boleslav Hnipírdo, experienced a train collision near Vrňany on his way to Prague. Since he was not injured, he does not even want to ask for compensation. Pleticha takes advantage of this and goes to the railway headquarters with his leg bandaged. He pretends to be Hnipírdo and is questioned in detail about his journey. Thanks to his talkativeness, he reveals, among other things, that he jumped on a moving train, drove illegally, spat on the window and tore off the emergency brake...

The Undertaker (1932) offers a brilliant blend of wit and timing, where every scene brims with laughter and levity. The humor ranges from clever dialogue to situational absurdity, making it a crowd-pleaser for those seeking a lighthearted escape.

Visually, the film is a marvel — every shot meticulously framed to enhance emotion and tone. The cinematography captures the story’s essence, whether through sweeping panoramas or intimate moments. Direction is assured, guiding the audience through the narrative with confident pacing and clear vision. Music and sound design underscore key scenes, elevating tension and enhancing immersion. Every creative element works in unison to produce a memorable and polished experience.

The Undertaker (1932) provides more than just entertainment — it delivers resonance. Audiences are drawn into its emotional undercurrents, finding moments of joy, sorrow, and revelation. The storytelling offers layers that reward thoughtful viewing, blending accessible thrills with deeper meaning. From quiet introspections to intense confrontations, it maintains an emotional rhythm that captivates. It’s the kind of film that lingers in memory, inspiring discussion and introspection long after the credits roll.

In the end, The Undertaker (1932) stands as a shining example of cinematic craft — a harmonious blend of narrative, performance, and technical achievement. It delivers a satisfying arc, fully realizing the potential of its story and characters. Whether you're a loyal follower of Comedy or a curious newcomer, this film offers something truly special. It speaks to the power of film as art, storytelling, and shared experience. Few titles manage to resonate so deeply across so many levels — this is one of them.

If you're interested in more great comedy films, you might also enjoy: The Grand Budapest Hotel, Superbad, Jojo Rabbit, The Hangover, Bridesmaids.

The Undertaker (1932)
4.3/10 from 6 users
Title The Undertaker (1932)
Genre Comedy
Release 1932-06-10
Runtime 92 min.
Cast Vlasta Burian, Theodor Pištěk, Josef Rovenský, Betty Kysilková, Růžena Šlemrová, Jan Sviták, Čeněk Šlégl, Lída Baarová, Jaroslav Marvan, Martin Frič, Milka Balek-Brodská, Vladimír Beztahovský, Jan Richter, Jarmila Svatá, Jan W. Speerger, Viktor Nejedlý, Emil Dlesk, Václav Menger, Antonín Jirsa, Mario Karas, Jindřich Edl, Karel Němec, Dalibor Pták, Alfred Baštýř, Ferry Seidl, Ladislav Kolda, Ladislav Hemmer, Karel Postranecký, Josef Sládek, Arnold Reimann, František Říha
Synopsis An employee of the funeral home Pleticha calls his superior. He overhears that he is supposed to buy a wedding gift and deliver it to his boss's relatives. He therefore sets off to the given address to organize the funeral. When the mistake is explained, Pleticha, in return for the entertainment, performs dances and songs of various nations for the wedding guests. One of the guests, grandfather Boleslav Hnipírdo, experienced a train collision near Vrňany on his way to Prague. Since he was not injured, he does not even want to ask for compensation. Pleticha takes advantage of this and goes to the railway headquarters with his leg bandaged. He pretends to be Hnipírdo and is questioned in detail about his journey. Thanks to his talkativeness, he reveals, among other things, that he jumped on a moving train, drove illegally, spat on the window and tore off the emergency brake...
Subtitles
Czech English



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