Alexander Scriabin – Towards the Light / Calculation and Ecstasy (1996) – Expert Review | Official Watch Links


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Alexander Scriabin – Towards the Light / Calculation and Ecstasy (1996) Synopsis, Cast, Reviews & Watch Links

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Movie Stats

Alexander Scriabin – Towards the Light / Calculation and Ecstasy

Alexander Scriabin – Towards the Light / Calculation and Ecstasy

HD
0/10
1996
  • Release Date: 1996-08-15
  • Genres: Documentary
  • Rating: 0 (0 votes)
  • Runtime: 58 min
  • Subtitles:
    English

Review & Score: Alexander Scriabin – Towards the Light / Calculation and Ecstasy

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Alexander Scriabin (1872–1915) born in Moscow, was an innovative, mystical, avant-garde Russian pianist and composer. This film explores Scriabin’s profound vision of art's unity — where music, movement, light and colour merge to create transcendent experiences. (Auto Summary)

✅ Pros — 2

  • Strong acting performance.
  • Solid storyline execution.

✖ Cons — 1

◼ Neutral / Mixed Notes — 2
  • Neutral point not specified.
  • Detailed critic review not available yet.

Synopsis

Alexander Scriabin (1872–1915) born in Moscow, was an innovative, mystical, avant-garde Russian pianist and composer. This film explores Scriabin’s profound vision of art's unity — where music, movement, light and colour merge to create transcendent experiences. Some claim Scriabin pioneered atonality before Schoenberg. Key works: Poème, Op. 32 No. 1 (1903) and Vers la flamme, Op. 72 (1914). Featuring commentary from esteemed musicians like Eduard Artemyev, Vladimir Ashkenazy and Vladimir Horowitz, Artist: Hermann Nitsch, conductor Mikhail Pletnev and insights from Scriabin’s daughter: Marina Scriabine, this documentary offers a unique glimpse into the life and works of one of music’s most enigmatic figures. Shot across stunning locales in Switzerland, Italy and Russia, enriched with Scriabin’s own writings and rare archival materials. The highlight includes a historic recording of Scriabin himself, playing his Poem Op. 32 No. 1 on a Welte Mignon player-piano, recorded in 1908.

Alexander Scriabin – Towards the Light / Calculation and Ecstasy is a thoughtful exploration of truth, reality, and untold stories. Meticulously researched and presented with clarity, it sheds light on compelling topics that provoke thought and inspire change.

Visually, the film is a marvel — every shot meticulously framed to enhance emotion and tone. The cinematography captures the story’s essence, whether through sweeping panoramas or intimate moments. Direction is assured, guiding the audience through the narrative with confident pacing and clear vision. Music and sound design underscore key scenes, elevating tension and enhancing immersion. Every creative element works in unison to produce a memorable and polished experience.

Alexander Scriabin – Towards the Light / Calculation and Ecstasy provides more than just entertainment — it delivers resonance. Audiences are drawn into its emotional undercurrents, finding moments of joy, sorrow, and revelation. The storytelling offers layers that reward thoughtful viewing, blending accessible thrills with deeper meaning. From quiet introspections to intense confrontations, it maintains an emotional rhythm that captivates. It’s the kind of film that lingers in memory, inspiring discussion and introspection long after the credits roll.

In the end, Alexander Scriabin – Towards the Light / Calculation and Ecstasy stands as a shining example of cinematic craft — a harmonious blend of narrative, performance, and technical achievement. It delivers a satisfying arc, fully realizing the potential of its story and characters. Whether you're a loyal follower of or a curious newcomer, this film offers something truly special. It speaks to the power of film as art, storytelling, and shared experience. Few titles manage to resonate so deeply across so many levels — this is one of them.

If you're interested in more great documentary films, you might also enjoy: The Cove, Blackfish, 13th, Free Solo, My Octopus Teacher.

Cast & Characters

  • Hermann Nitsch as Himself
  • Vladimir Horowitz as Himself
  • Vladimir Ashkenazy as Himself
  • Alexander Scriabin as Himself
  • Mikhail Pletnev as Himself
  • Sergei Rachmaninoff as Himself
  • Ivan Wyschnegradsky as Himself
  • Eduard Artemyev as Himself

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