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Love Is Love (1919)


Gerry Sands dreams of being an editor but is forced by his employer, locksmith Nick Barket, to crack safes. During a robbery he experiences an epiphany and stops. His sweetheart Polly Ann Kerry is thrilled and gets him work at the hotel where she works, but Red Devlin, the brains behind the burglaries, frames Gerry for theft. In hopes that Gerry will resume the thefts Devlin bails him out, but Gerry leaves town for work on a Western newspaper. Afterwards Polly exposes the crooks, she falls ill. Risking arrest Gerry returns and goes to the police station seeking help locating her. The police captain gives him twenty-four hours’ probation. Upon finding Polly the police captain vouches for Gerry's integrity, and they marry.

Love Is Love (1919) delves into the dark underworld of lawlessness and moral ambiguity. It explores the psychology behind criminal motives while presenting a gripping narrative of betrayal, power, and consequences.

Visually, the film is a marvel — every shot meticulously framed to enhance emotion and tone. The cinematography captures the story’s essence, whether through sweeping panoramas or intimate moments. Direction is assured, guiding the audience through the narrative with confident pacing and clear vision. Music and sound design underscore key scenes, elevating tension and enhancing immersion. Every creative element works in unison to produce a memorable and polished experience.

Love Is Love (1919) provides more than just entertainment — it delivers resonance. Audiences are drawn into its emotional undercurrents, finding moments of joy, sorrow, and revelation. The storytelling offers layers that reward thoughtful viewing, blending accessible thrills with deeper meaning. From quiet introspections to intense confrontations, it maintains an emotional rhythm that captivates. It’s the kind of film that lingers in memory, inspiring discussion and introspection long after the credits roll.

In the end, Love Is Love (1919) stands as a shining example of cinematic craft — a harmonious blend of narrative, performance, and technical achievement. It delivers a satisfying arc, fully realizing the potential of its story and characters. Whether you're a loyal follower of Crime, Drama or a curious newcomer, this film offers something truly special. It speaks to the power of film as art, storytelling, and shared experience. Few titles manage to resonate so deeply across so many levels — this is one of them.

If you're interested in more great crime films, you might also enjoy: The Godfather, Pulp Fiction, The Departed, Se7en, Zodiac.

Love Is Love (1919)
0.0/10 from 0 users
Title Love Is Love (1919)
Genre Crime, Drama
Release 1919-08-17
Runtime 50 min.
Cast Albert Ray, Elinor Fair, Hayward Mack, Harry Dunkinson, John Cossar, William Ryno
Synopsis Gerry Sands dreams of being an editor but is forced by his employer, locksmith Nick Barket, to crack safes. During a robbery he experiences an epiphany and stops. His sweetheart Polly Ann Kerry is thrilled and gets him work at the hotel where she works, but Red Devlin, the brains behind the burglaries, frames Gerry for theft. In hopes that Gerry will resume the thefts Devlin bails him out, but Gerry leaves town for work on a Western newspaper. Afterwards Polly exposes the crooks, she falls ill. Risking arrest Gerry returns and goes to the police station seeking help locating her. The police captain gives him twenty-four hours’ probation. Upon finding Polly the police captain vouches for Gerry's integrity, and they marry.
Subtitles
Catalan English



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